Dine out with Movies, Italian culture & Cinema, Visit Italy With Movies

Brescia’s gem: Lo Zappatore

Written by chiara.dibacco25 Ottobre 2023

The Riches of the Land and the Allure of Italian Cuisine

Italian cinema is renowned for capturing the country’s soul, narrating stories that oscillate between poverty and luxury, wine and food. In this context, the film by Alfonso Brescia “Lo Zappatore” stands out as an extraordinary example of how the seventh art can tell the complex relationship between Italian agriculture and culinary culture.

“Lo Zappatore” is a 1950 film directed by Raffaello Matarazzo, one of the most important directors of Italian neorealism. The plot revolves around Gennarino, a young and tireless farmer masterfully played by Amedeo Nazzari. The story takes place in the southern region of Italy, a land where the daily challenges of farmers intertwine with a passion for food and wine.

Gennarino is a man deeply connected to the land. He works tirelessly in the fields, struggling to grow crops and put food on his family’s table. However, his love for the land goes beyond fieldwork; he also nurtures a passion for winemaking, an art passed down through generations. His wine cellar is a sanctuary where exquisite wines are preserved and aged, witnesses to time and dedication.

Gennarino’s story is intertwined with that of Angela, portrayed by Silvana Pampanini, a charming and modern young woman who brings with her the idea of a different world, where traditional agriculture must grapple with economic and social changes. The encounter between Gennarino and Angela will disrupt their lives, questioning traditions and opening the way to new perspectives.

“Lo Zappatore” is a celebration of the beauty of the Italian Mezzogiorno, with breathtaking landscapes that change with the seasons. Matarazzo’s direction captures the poetry of rural life, showcasing the toil in the fields, the grape harvest, and the preparation of traditional meals. In particular, the kitchen becomes a space where love, passion, and tradition are expressed.

The heart of the film “Lo Zappatore” lies in the conflict between the past and the future, between agricultural traditions and new economic opportunities. This conflict is embodied in the relationship between Gennarino and Angela. Gennarino represents the old guard, rooted in the land and its traditions, while Angela represents modernity, with progressive ideas and a desire to move beyond rural life.

“Lo Zappatore” is a cinematic work that embodies the fabric of Italy, between poverty and luxury, wine and food. Matarazzo’s film is an ode to the beauty of Italian agricultural and culinary traditions, while highlighting the need to adapt to survive.

In a rapidly evolving world, the film reminds us of the importance of preserving our roots and the values that have made us who we are. “Lo Zappatore” is a tribute to the land, food, and wine, a testament to the strength of Italian traditions and their eternal capacity to adapt.

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Gassman: a triumphant debut in “Steam The Turkish Bath”

Written by chiara.dibacco4 Ottobre 2023

In the vast landscape of Italian cinema, few figures can boast as illustrious a cinematic heritage as Alessandro Gassman. The son of the legendary actor Vittorio Gassman and actress Juliette Mayniel, Alessandro Gassman grew up in an environment steeped in film culture from birth. However, it was in 1997 that the young actor made his triumphant debut on the big screen, leaving a mark with the film “Steam: The Turkish Bath.”

Directed by Ferzan Özpetek, “Steam: The Turkish Bath” (Hamam in Turkish) is an Italo-Turkish romantic comedy that captured the attention of critics and audiences worldwide. The film tells the story of an Italian architect, Francesco, portrayed by Alessandro Gassman, who travels to Istanbul to inherit a hamam, a traditional Turkish bath, from a deceased relative. During his stay, Francesco uncovers a series of secrets and intrigues, triggering a process of self-discovery and transformation.

Alessandro Gassman’s debut in “Steam: The Turkish Bath” was remarkable for several reasons. Firstly, it demonstrated that the young actor had inherited not only his father’s acting talent but also his versatility. The character of Francesco required a range of complex emotions, from comedy to drama, and Gassman was able to convey every nuance masterfully.

Secondly, the film was significant because it represented an opportunity for Italian cinema to collaborate with Turkish culture at a time when Europe was becoming increasingly interested in the relationships between different cultures and traditions. “Steam: The Turkish Bath” was an example of international cinema, with a multicultural cast and a plot that blended elements of Italy and Turkey into a compelling story.

The success of the film did not go unnoticed. Alessandro Gassman received unanimous praise for his performance, proving that he was destined to become a major star in Italian cinema. The film itself received numerous awards, including the Golden Globe for Best Actor to Gassman and the FIPRESCI prize at the Venice Film Festival in 1997. Furthermore, “Steam: The Turkish Bath” was an international success, helping to introduce Gassman’s talent to a global audience.

Alessandro Gassman’s debut in “Steam: The Turkish Bath” opened doors to an exceptional film career. Over the years, Gassman continued to refine his acting skills, taking part in a wide range of successful film projects. He showcased his versatility through roles in dramatic films, comedies, and international productions.

In conclusion, Alessandro Gassman’s debut in “Steam: The Turkish Bath” was a significant moment in the history of Italian and Turkish cinema. It launched the career of an extraordinary actor and contributed to promoting intercultural dialogue through film. This movie remains a classic of Italian cinema and a milestone in Alessandro Gassman’s career.

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Italian Wine: A Cinematic Celebration

Written by chiara.dibacco7 Settembre 2023

Italy is famous worldwide for its extraordinary wine heritage and rich cinematic tradition. These two worlds often intertwine, creating cinematic masterpieces that celebrate Italian wine in all its beauty and complexity. In this article, we’ll explore how wine in Italy has been immortalized on the silver screen, referencing films like “Venga a prendere il caffè da noi,” “Il Marchese del Grillo,” and “Amore all’italiana.”

“Venga a prendere il caffè da noi” (1970) – Life in a Bottle

Directed by Alberto Lattuada, this film is a poignant portrayal of life in a small osteria in southern Italy. While the title refers to coffee, wine is a constant presence in the story. Patrons share conversations, laughter, and arguments over bottles of local wine. This film reminds us that wine is more than just a beverage; it’s a vehicle for socialization and friendship.

“Il Marchese del Grillo” (1981) – Wine as a Status Symbol

In Mario Monicelli’s film “Il Marchese del Grillo,” the protagonist Giuseppe Grillo (played by Alberto Sordi) is a carefree aristocrat of the 19th century, known for his extravagance and love for wine. The film highlights how wine was a status symbol in the high society of the time. Marchese Grillo emphasizes the importance of having an excellent wine cellar stocked with prestigious wines to impress guests.

“Amore all’italiana” (1965) – Wine in Love and Life

Directed by Vittorio De Sica, this film tells the story of a captivating romantic relationship between a young woman and an older man. Wine is a recurring element in the film, often consumed during romantic dinners. In this context, wine symbolizes passion, companionship, and the experience of life. It is a companion for the joys and challenges of love.

In addition to these specific films, wine has been a constant presence in Italian cinema. It has been portrayed in various forms, from rustic countryside cellars to elegant tastings in noble palaces. Italian cinema captures the variety of Italian wines, from the sophistication of Piedmont’s Barolo to the freshness of Veneto’s Pinot Grigio.

Beyond its representation in films, Italy boasts a rich wine heritage that serves as an endless source of inspiration for filmmakers. The vineyards sprawling across the hills, ancient cellars, and artisanal traditions enrich the Italian cinematic landscape.

In conclusion, wine in Italy is much more than a beverage. It is an intrinsic part of the culture, tradition, and cinematic art of the country. These films show us that wine is a pathway to exploring Italian identity, socialization, love, and life itself. When watching an Italian film that celebrates wine, you can savor not only the beauty of the images on the screen but also the rich flavor of Italian wine culture.

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Ugo Tognazzi: An Icon of Italian Comedy

Written by chiara.dibacco15 Agosto 2023

In the vast landscape of Italian cinema, few names shine as brightly as Ugo Tognazzi. This incredibly versatile actor and director has left an indelible mark on Italian cinematic history. Through his eclectic talent, magnetic screen presence, and extraordinary ability to make audiences laugh and reflect. A series of unforgettable films such as “Venga a prendere il caffè”, “L’amore in città”, “I nostri mariti”, “I viaggiatori della sera”, and “Il magnifico cornuto”. Tognazzi showcased his mastery within the realm of comedy and beyond.

In 1970, Ugo Tognazzi captivated audiences with the film “Venga a prendere il caffè” (Come Have Coffee with Us), directed by Alberto Lattuada. In this brilliant comedy, Tognazzi portrays Aldo, a seemingly placid bourgeois man. Abruptly his life is upended when a mysterious woman asks him to help her hide from the police. Through this captivating plot, Tognazzi demonstrated his ability to seamlessly blend humor with drama. Thus delivering a performance that captured audiences’ attention and showcased his skill in portraying complex characters.

Throughout his career, Ugo Tognazzi also participated in collaborative filmmaking. Title renowned as “L’amore in città” (Love in the City) (1953) and “I nostri mariti” (Our Husbands) (1966). In all of these films, he collaborated with other great Italian actors and directors. Aiming to create a series of stories that explore the dynamics of human relationships, from love to betrayal, from drama to comedy. Tognazzi once again demonstrated his ability to capture the essence of human emotions in an authentic and engaging manner.

Versatile in his repertoire, Tognazzi also took on darker and more complex roles. Among the films, “I viaggiatori della sera”, a masterpiece directed by Ugo Gregoretti. Tognazzi plays a man involved in a mysterious car accident that causes him to experience hallucinations. This film represents an example of how Tognazzi was willing to tackle ambiguous roles and experiment with new shades of acting.

“Il magnifico cornuto” (The Magnificent Cuckold) (1964), directed by Antonio Pietrangeli, is another milestone in Tognazzi’s filmography. In this film, he portrays a man who discovers his wife’s infidelity but, instead of reacting with anger, decides to be courteous to his rival. The movie humorously and provocatively explores the concepts of betrayal and jealousy, challenging audience expectations and showcasing Tognazzi’s versatility once again.

Ugo Tognazzi continued to work in the world of cinema and theater until his death in 1990. His legacy remains strong, with his films continuing to be cherished and celebrated by new generations of audiences. The peculiar ability to convey authentic emotions, together with a unique sense of humor made him a timeless icon of Italian comedy and global cinema. His performances stand as an extraordinary example of how an actor can leave an indelible mark on cinematic history through their talent and dedication.

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Stefania Sandrelli: An Icon of Italian Cinematography

Written by chiara.dibacco2 Agosto 2023

In the vast panorama of Italian cinematography, few names shine with the same intensity as Stefania Sandrelli. A versatile and talented actress, she has enchanted audiences for decades with her beauty, grace and acting ability. With a career spanning more than five decades, Stefania Sandrelli has earned a place of honour in the history of Italian cinema.

Born on 5 June 1946 in Viareggio, Tuscany, Stefania Sandrelli made her screen debut as a teenager at the age of just 15. Even then, her charisma was evident, and she quickly made a name for herself as a young promise of Italian cinema. Her sunny beauty and innate talent caught the attention of directors, paving the way for a successful career.

One of the first films that helped consolidate her fame was ‘La bella di Lodi‘ (1963), directed by Mario Missiroli. Here, Stefania plays the role of a young provincial girl who, with her innocence and simplicity, charms all the men in her village. The film showed the actress’s potential as an interpreter of complex and fascinating female characters.

But it was the role in the film ‘Delitto d’amore’ (1974), directed by Luigi Comencini, that marked a turning point in Stefania Sandrelli’s career. In this film, the actress demonstrated her ability to act with great emotional intensity. The film deals with delicate and profound themes, and Stefania showed that she is able to bear the weight of dramatic and complex roles.

Her artistic versatility emerged once again in the film ‘Speriamo che sia femmina’ (1986), directed by Mario Monicelli. Here, Stefania plays the role of a mother during the 1930s, facing the challenges of the time with courage and determination. The film is an intelligent and biting comedy, and Stefania proved she could master this genre with great skill.

However, one of the most unforgettable and iconic roles of her career was in Bernardo Bertolucci’s masterpiece, ‘The Conformist’ (1970). Here, Stefania plays the young and attractive wife of the main character, played by Jean-Louis Trintignant. The film is a dramatic fresco that explores complex issues such as identity and morality, and Stefania’s performance helped make the character memorable and profound.

Today, Stefania Sandrelli is considered a true icon of Italian cinematography. Her beauty and skill on screen have left an indelible mark on the history of Italian cinema and will continue to inspire new generations of actors and film fans.

In conclusion, Stefania Sandrelli is much more than just an actress. She is a symbol of talent, passion and determination, an icon who has written an indelible chapter in the history of Italian cinema. Her artistic legacy will live on forever through her films and unforgettable performances.

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Franco e Ciccio: The Comic Duo That Made Italy Laugh

Written by chiara.dibacco3 Luglio 2023

Franco e Ciccio, also known as Franco Franchi and Ciccio Ingrassia, were a famous Italian comedy duo active mainly in the 1960s and 1970s. Their comedy was characterised by physical gags, hilarious dialogue and an innate ability to improvise.

Franco Franchi, born on 18 September 1928 in Palermo, Sicily, and Ciccio Ingrassia, born on 5 October 1922 in Palermo, started their artistic career as theatre and cabaret actors. They later achieved great success in Italian cinema, becoming one of the country’s best-loved comedy duos.

One of the best known films in which they starred is ‘Don Quixote’, released in 1968 and directed by Giovanni Grimaldi. The film is a comedy freely inspired by Miguel de Cervantes’ famous novel ‘Don Quixote de la Mancha’. Francio and Ciccio play Don Quixote and Sancho Panza respectively, bringing their comedy into the context of the classic story.

Another important film in their filmography is ‘Ku-Fu? Dalla Sicilia con furore’, released in 1973 and directed by Nando Cicero. In this film, Francio and Ciccio play two small-time crooks who find themselves involved in a series of adventures set in Sicily. The title of the film refers to the Chinese martial art of kung fu, which is comically parodied by the two actors.

“2 Mattacchioni al Moulin Rouge” is a 1964 film directed by Carlo Infascelli. In this film, Francio and Ciccio play two Sicilians who travel to Paris to seek their fortune, but find themselves involved in comic and adventurous situations at the famous Moulin Rouge nightclub.

The duo Franchi and Ingrassia worked together in numerous other films, becoming an icon of Italian comedy. Their comic interpretations and unique style have left an indelible mark on the Italian film scene, making them a reference point for many generations of viewers.

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Pier Paolo Pasolini and the fascinating Roman locations

Written by chiara.dibacco3 Luglio 2023

From ‘La Rabbia’ to ‘Vita violenta’

Pier Paolo Pasolini, one of the greatest Italian directors and intellectuals of the 20th century, left an indelible mark on the world of cinema. All due to his unique connection with Rome, the eternal city, particularly significant in his artistic career. In this article, we will explore two of his most emblematic films, ‘La Rabbia’ (1963) and ‘Vita violenta’ (1962). Focusing on the evocative Roman locations that played a fundamental role in the narrative and visual context of the works.

‘La Rabbia’ is a documentary film by Pasolini that deals with political and social issues of the time, with a focus on Italian contradictions. Set mainly in the suburbs of Rome, the film uses a combination of archive images, everyday life sequences and interviews. Fundamental tool to explore the anger and frustration that permeated Italian society at the time.

The locations chosen by Pasolini for ‘La Rabbia’ are emblematic of his desire to represent the social reality of Rome. Suburban neighbourhoods, such as the Ostia district and EUR (Rome Universal Exhibition), serve as the backdrop for the stories of ordinary people. Pasolini intentionally avoided the iconic and touristy areas, such as the Colosseum or Piazza Navona, to focus on a more authentic vision of the city.

“Vita violenta’ tells the story of a young man seekinga way out from the misery of his existence. The film, overall, focuses on the Trastevere district, an area that Pasolini loved and that represented popular Roman life. The narrow, winding streets of Trastevere become the theatre for the adventures of the protagonist, played by Franco Citti. Pasolini explores the alleys, squares and hidden corners of this neighbourhood, capturing the unique energy and character of Trastevere.

Significant is the choice of this location, as the neighbourhood represents a meeting place for rebels and bohemian artists. Thus offering an authentic atmosphere to tell the story of an alienated young man looking for a better life.

To conclude, Pier Paolo Pasolini made masterful use of Roman locations to create an immersive and authentic cinematic experience. By choosing suburbs and working-class neighbourhoods as the backdrop for his stories, Pasolini was able to portray the social reality and contradictions of Italian society.

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Sicily and the Fight against the Mafia

Written by chiara.dibacco30 Maggio 2023

One Hundred Steps Through History and Landscapes

The film “I Cento Passi” (One Hundred Steps) is an Italian movie from 2000, directed by Marco Tullio Giordana, which tells the true story of Peppino Impastato, a young Sicilian political activist who opposed the mafia.

Primarily set in Sicily, an Italian region known for its breathtaking landscapes and ancient history. Sicily offers a variety of settings, ranging from sandy coasts to majestic mountains, from picturesque villages to charming urban centers.

“I Cento Passi” unfolds in the town of Cinisi, located in the province of Palermo. The town, with its narrow streets and characteristic traditional buildings, provides an authentic and evocative backdrop for the film’s narrative. Viewers can immerse themselves in the atmosphere of Sicily, with its vibrant colors, weathered building facades, and the vibrant energy of daily life.

However, the film doesn’t confine itself to Cinisi. It also explores other parts of Sicily, such as Palermo, the regional capital, with its historic monuments, bustling streets, and traditional markets. Additionally, the film features scenes set in natural landscapes like the beaches of Mondello, famous for their crystal-clear waters, and the surrounding hills that offer breathtaking views of the coastline.

Moreover, Sicily is renowned for its delicious cuisine, and the film doesn’t shy away from showcasing some typical Sicilian dishes. Images of tables filled with specialties like arancini, cannoli, pasta alla norma, and Sicilian granita can be savored, adding an authentic touch and flavor to the story.

In conclusion, “I Cento Passi” not only delivers a powerful story of courage and the fight against the mafia but also captures the beauty and diversity of Sicilian landscapes. Sicily becomes an integral part of the plot, providing visually appealing and engaging context for the film.

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Italian culture & Cinema

Cinecittà: eternal and magical heritage of Italian cinema

Written by chiara.dibacco24 Maggio 2023

Cinecittà is a large film studio complex located in Rome, Italy. It was founded in 1937 by the fascist government of Benito Mussolini. Mainly to establish a center of Italian cinema and promoting the country’s cultural and political values. Cinecittà is not only a place of film production. It is also a symbol of the Italian film industry and of all Italian culture.

In its early years, Cinecittà produced a series of propaganda films, including historical epics such as “Scipio l’Africano” and “Luciano Serra, Pilota,”. Film celebrating the greatness of the Roman Empire and Italian fascism. However, in the 50s and 60s, Cinecittà saw the growth of a new generation of directors. Federico Fellini, Roberto Rossellini and Vittorio De Sica, used the studio to create some of the most acclaimed films in the history of Italian cinema. Renowned title as “La dolce vita,” “Roma città aperta” and “Ladri di biciclette.”

In the 70s and 80s, Cinecittà declined due to competition from foreign film studios and the decrease government funding. However, in the 1990s, the studio saw a revival, with the launch of new projects such as “Ben Hur” and “Gangs of New York.” Today, Cinecittà is one of the largest film studios in Europe, with 19 production halls and a range of production support services. The studio has also been the set of many successful international productions, such as “The Great Beauty,” “Gladiator” and “Mission: Impossible III.”

Today, Cinecittà is a complex of film studios, theaters and exhibition spaces offering a wide range of services to audiovisual productions. Among Cinecittà’s main activities are the production and rental of technical equipment for filming. Moreover, the creation of sets and scenery, makeup and costume design, and audio and video post-production.

Cinecittà has been transformed into a cultural hub open to the public, with an extensive program of events. They curate exhibitions, and activities ranging from music and theater to fashion and design. Places for visitors include the Cinecittà Museum, telling the story of Italian and international cinema, and Cinecittà World, a theme park entirely dedicated to cinema.

Additionally, Cinecittà is a training ground for the next generation of filmmakers. Holding a famous film school and a program of internships for young aspiring directors, screenwriters, actors, and film technicians.

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