Cinema Pills, Italian culture & Cinema, Visit Italy With Movies

Pupi Avati: A Master of Italian Cinema

Written by gaia.maggio8 Novembre 2023

Italy has given birth to some of the most influential and revered filmmakers in the history of cinema. Pupi Avati is undoubtedly one of its unsung heroes. Avati, born on November 3, 1938, in Bologna, has a career spanning several decades. During which he has crafted a diverse body of work that spans genres and styles. His films are characterized by a unique blend of horror, drama, and dark humor. They often explore the complexities of human nature and the mysterious realms of the supernatural. In this article, we will take a closer look at Pupi Avati’s cinematic journey. Focusing especially on some of his most intriguing and thought-provoking works: “Zeder,” “Dante,” “Tutti i defunti tranne i morti,” “Una gita scolastica,” and “Stelle nel fosso.”

Pupi Avati: The Auteur

Before delving into the analysis of his films, it is essential to understand the essence of Pupi Avati as a filmmaker. He belongs to a generation of Italian directors who emerged in the wake of the neorealism movement and who were deeply influenced by it. Avati’s work is characterized by a meticulous attention to detail, a deep-rooted exploration of human emotions, and an unmistakable connection to his homeland. He masterfully weaves stories that feel both universal and deeply Italian. Remarkable, is his ability to create an immersive atmosphere is a testament to his storytelling prowess.

Zeder (1983)

“Zeder,” also known as “Revenge of the Dead,” is a haunting and enigmatic film that exemplifies Avati’s fascination with the supernatural. The story revolves around a writer, Stefano, who stumbles upon a cryptic message written in the margin of an old book. This discovery leads him into a labyrinthine world of dark secrets and forbidden knowledge. As the line between the living and the dead blurs, Avati creates a tense and disorienting atmosphere that keeps the audience on the edge of their seats.

“Zeder” can be seen as a metaphor for the relentless pursuit of forbidden knowledge and the consequences that follow. Avati skillfully combines elements of horror and mystery, and the film’s eerie ambiance lingers long after the credits roll. It’s a testament to Avati’s ability to merge the supernatural with the deeply psychological.

Una gita scolastica (1983)

“Una gita scolastica” is a coming-of-age drama that reflects Avati’s skill in capturing the nuances of human relationships and the emotional complexity of adolescence. The film revolves around a group of schoolchildren on a field trip who experience the joys and tribulations of growing up. Avati’s portrayal of the characters’ emotional turmoil and self-discovery is both heartwarming and profound.

While not as renowned as his horror works, “Una gita scolastica” showcases Avati’s ability to evoke empathy and nostalgia.

“Stelle nel fosso” is a poignant and melancholic drama that delves into themes of isolation, redemption, and the human desire for connection. The story follows a lonely old man, Ermanno, who finds an unexpected companion in a homeless boy named Leonardo. The film beautifully explores the unlikely friendship that forms between these two disparate souls and their shared journey towards self-discovery.

Avati’s “Stelle nel fosso” is a testament to his ability to tell profoundly moving stories with a gentle touch. It’s a reflective work that highlights the power of human connection and redemption, even in the most unlikely circumstances.

Tutti i defunti tranne i morti (2019)

Released in the same year as “Dante,” “Tutti i defunti tranne i morti” is another intriguing addition to Avati’s filmography. The film explores the absurdity of bureaucracy and the rigidity of Italian bureaucracy when a small town’s graveyard becomes overcrowded. The authorities decide to exhume the bodies and rebury them in a nearby cemetery. However, the townspeople are not ready to let their loved ones rest in peace.

This film is a dark comedy with a satirical edge, where Avati uses humor to dissect the absurdities of human behavior. The narrative underscores the irrationality of our fear of death and our obsession with order and control. It’s a thought-provoking exploration of human nature through the lens of dark comedy.

Dante (2019)

“Dante” is a recent addition to Avati’s filmography, and it marks his return to the director’s chair after a brief hiatus. The film follows the life of the celebrated poet Dante Alighieri and his tumultuous relationship with Beatrice Portinari, the love of his life. Avati’s interpretation of Dante’s life is a sumptuous visual and emotional feast. Through exquisite cinematography and impeccable performances, he transports the audience to the 13th century, immersing them in the poet’s profound spiritual and artistic journey.

With “Dante,” Pupi Avati takes a departure from his usual horror and suspense-driven narratives and delves into historical drama. The film is a testament to his versatility as a filmmaker, showcasing his ability to capture the essence of a bygone era with meticulous attention to details.

In conclusion, Pupi Avati is an auteur with a multifaceted body of work that transcends genre boundaries. His films, whether exploring the supernatural, historical drama, dark comedy, or emotional drama, consistently showcase his remarkable storytelling skills. Avati’s ability to evoke a wide range of emotions and his commitment to exploring the human condition make him a true master of Italian cinema. While some of his works may be lesser-known outside of Italy, they are gems waiting to be discovered by cinephiles seeking depth and emotional resonance in their cinematic experiences. Pupi Avati’s contribution to the world of film is a testament to the power of storytelling. His works deserves a place of honor in the pantheon of great Italian directors.

Watch all the movies on MovieItalyPlus

Click here to read more articles!

Read More
Cinema Pills, Visit Italy With Movies

The Harmonious Legacy: Music in Umberto Lenzi’s Universe

Written by gaia.maggio6 Novembre 2023

Umberto Lenzi, a prominent figure in the Italian film industry, has left an indelible mark on the world of cinema. Hihgly renowned for his contributions to the giallo and exploitation film genres. Lenzi’s work is distinguished not only by its daring and often controversial content but also by the prominent role that music plays in his movies. In this article, we explore the use of music in Lenzi’s films, showcasing how it enhances the overall cinematic experience.

A Maestro of Mood Setting

Umberto Lenzi, along with his contemporaries Dario Argento and Lucio Fulci, was instrumental in crafting the giallo genre. A distinct subgenre of Italian horror-thrillers known for its mysterious and suspenseful narratives. Music in Lenzi’s films serves as a maestro, orchestrating the emotional tone of the story. In his giallo films, such as “Eyeball” (1975) and “Seven Blood-Stained Orchids” (1972), the music aids in building tension. Thus creating an atmosphere of anxiety and uncertainty.

Lenzi’s keen ear for music is evident in his collaboration with composers like Riz Ortolani, whose haunting scores in films like “Seven Blood-Stained Orchids” effectively intensify the suspense. Ortolani’s music, with its eerie melodies and tense rhythms, underscores the psychological torment of the characters and the audience’s sense of impending danger. These compositions are carefully woven into the narrative, subtly foreshadowing the unfolding events and amplifying the audience’s unease.

Exploration of Diverse Genres

Umberto Lenzi was not confined to a single genre, and his films span a wide range of themes and settings, from jungle adventures to crime dramas. This diversity is reflected in his approach to music. For instance, in “Cannibal Ferox” (1981), a controversial exploitation film set in the Amazon rainforest, Lenzi employed a percussive and tribal score that immerses the audience in the savage, untamed world of the film. The music serves as a bridge connecting the viewer to the film’s exotic locales and the brutal, primal nature of its characters.

In contrast, Lenzi’s crime thrillers like “Almost Human” (1974) make use of funky, electric guitar-driven soundtracks, reflecting the urban grit and intensity of the narrative. The music here adds a layer of coolness and tension, accentuating the cat-and-mouse game between criminals and law enforcement.

Impact and Legacy

The use of music in Umberto Lenzi’s films is a testament to his keen understanding of the symbiotic relationship between audio and visual elements. His collaboration with talented composers helped create soundscapes that were integral to the storytelling process.

Umberto Lenzi’s legacy in the world of cinema extends beyond his directorial prowess. His unique approach to music, spanning various genres and emotions, continues to inspire contemporary filmmakers and composers. His influence can be seen in the works of directors who appreciate the power of music in conveying mood, from Quentin Tarantino to Rob Zombie.

In conclusion, Umberto Lenzi’s movies are more than just shock and awe. They are an amalgamation of art forms that blend visuals and music to evoke visceral and emotional responses from the audience. While his films may not always have been critically acclaimed, they have a distinctive place in the annals of cinematic history. Thanks in no small part to the unforgettable soundscapes that accompany the mayhem on the screen. Lenzi’s films are a testament to the idea that in cinema, sound can be just as powerful as sight.

Watch his movies on MovieItalyplus

Read our articles here!

Read More
Visit Italy With Movies

Venice and Cinema: An Endless Love Affair

Written by chiara.dibacco30 Ottobre 2023

Venice, the city suspended between water and sky, has always been an endless source of inspiration for filmmakers from around the world. This unique city, with its canals, winding alleys, and grand squares, offers an unparalleled backdrop for cinematic creation. With a history dating back over a century, the endless love affair between Venice and cinema is deep and enduring.

The Magic of Venice on Screen

From major Hollywood productions to art-house films, Venice has been a muse for many directors. One of its most iconic locations is St. Mark’s Square, with its majestic basilica and the towering Campanile. This square has been the setting for numerous memorable scenes, including the famous opening sequence of “Moonraker” (1979), in which James Bond engages in a thrilling chase across the rooftops of Venice.

Another film that captures the essence of Venice is “The Tourist” (2010), directed by Florian Henckel von Donnersmarck and starring Angelina Jolie and Johnny Depp. The film meanders through the city’s canals and winding streets, offering spectacular postcard-worthy views of Venice. The city is not just a backdrop but an integral part of the plot, with its hidden secrets and games of deception.

Venice and Italian Cinema

But Venice is not only a backdrop for international cinema; it has also been a protagonist in many Italian productions. One of the most well-known films is “Solamente Nero” (1978), directed by Antonio Bido and starring Lino Capolicchio. This thriller, set against the backdrop of the Veneto region, tells the story of a journalist investigating a series of eerie murders.

Another masterpiece of Italian cinema shot in the Veneto region is “La bella di Lodi” (1963), directed by Mario Missiroli. The film is a brilliant comedy that narrates the tale of a stunning woman causing chaos in a small town.

However, one cannot discuss Veneto cinema without mentioning “Chi lavora è perduto” (1963), directed by Tinto Brass. This satirical film focuses on the world of labor and factories, utilizing an industrial Veneto as its setting. Brass is known for his rebellion against conventions, and “Chi lavora è perduto” is a perfect example of this trend, helping redefine Italian cinema.

Venice: A City That Never Ages

Venice, with its centuries-old architecture and unique atmosphere, remains one of the most beloved destinations for filmmakers. The city transforms with the seasons, becoming a different place with high tides, summer sun, or winter fog. These variations allow filmmakers to play with the city’s appearance and mood, creating diverse and captivating films.

Cinema and Venice are destined to remain forever entwined, with the city offering a perfect canvas for telling compelling stories. Whether it’s a James Bond spy story or an Italian art-house film, the magic of Venice on screen is set to enchant audiences for generations to come. While cinema can capture a moment, Venice, with its timeless beauty, will forever remain an inspiration for filmmakers worldwide.

Watch all of the movies on www.movieitalyplus.com

Read the other articles on www.blog.visititalywithmovies.com

Read More
Dine out with Movies, Italian culture & Cinema, Visit Italy With Movies

Brescia’s gem: Lo Zappatore

Written by chiara.dibacco25 Ottobre 2023

The Riches of the Land and the Allure of Italian Cuisine

Italian cinema is renowned for capturing the country’s soul, narrating stories that oscillate between poverty and luxury, wine and food. In this context, the film by Alfonso Brescia “Lo Zappatore” stands out as an extraordinary example of how the seventh art can tell the complex relationship between Italian agriculture and culinary culture.

“Lo Zappatore” is a 1950 film directed by Raffaello Matarazzo, one of the most important directors of Italian neorealism. The plot revolves around Gennarino, a young and tireless farmer masterfully played by Amedeo Nazzari. The story takes place in the southern region of Italy, a land where the daily challenges of farmers intertwine with a passion for food and wine.

Gennarino is a man deeply connected to the land. He works tirelessly in the fields, struggling to grow crops and put food on his family’s table. However, his love for the land goes beyond fieldwork; he also nurtures a passion for winemaking, an art passed down through generations. His wine cellar is a sanctuary where exquisite wines are preserved and aged, witnesses to time and dedication.

Gennarino’s story is intertwined with that of Angela, portrayed by Silvana Pampanini, a charming and modern young woman who brings with her the idea of a different world, where traditional agriculture must grapple with economic and social changes. The encounter between Gennarino and Angela will disrupt their lives, questioning traditions and opening the way to new perspectives.

“Lo Zappatore” is a celebration of the beauty of the Italian Mezzogiorno, with breathtaking landscapes that change with the seasons. Matarazzo’s direction captures the poetry of rural life, showcasing the toil in the fields, the grape harvest, and the preparation of traditional meals. In particular, the kitchen becomes a space where love, passion, and tradition are expressed.

The heart of the film “Lo Zappatore” lies in the conflict between the past and the future, between agricultural traditions and new economic opportunities. This conflict is embodied in the relationship between Gennarino and Angela. Gennarino represents the old guard, rooted in the land and its traditions, while Angela represents modernity, with progressive ideas and a desire to move beyond rural life.

“Lo Zappatore” is a cinematic work that embodies the fabric of Italy, between poverty and luxury, wine and food. Matarazzo’s film is an ode to the beauty of Italian agricultural and culinary traditions, while highlighting the need to adapt to survive.

In a rapidly evolving world, the film reminds us of the importance of preserving our roots and the values that have made us who we are. “Lo Zappatore” is a tribute to the land, food, and wine, a testament to the strength of Italian traditions and their eternal capacity to adapt.

Watch the full movie at www.movieitalyplus.com or watch some clips at www.visititalywithmovies.com

Read More
Cinema Pills, Visit Italy With Movies

Monella: Navigating the Line Between Eroticism and Pornography

Written by gaia.maggio19 Ottobre 2023

“Monella,” an Italian erotic comedy film directed by Tinto Brass and released in 1998, has been a subject of fascination and debate since its release. Set in the 1950s, the film tells the story of Lola, a free-spirited and sexually adventurous young woman who revels in pushing the boundaries of societal norms. With its explicit content and bold approach to sensuality, “Monella” raises important questions about the fine line that separates eroticism from pornography in the realm of cinema.

The Art of Eroticism:

Eroticism in film is a well-established genre, often celebrated for its ability to explore human desire and sensuality in an artistic and tasteful manner. Directors like Bernardo Bertolucci and Pedro Almodóvar have masterfully incorporated erotic elements into their works, creating films that are both visually captivating and intellectually stimulating. Eroticism, when done right, can be a powerful storytelling tool that allows for a deeper exploration of human emotions, relationships, and the complexities of desire.

“Monella”: Provocative or Pornographic?

“Monella,” however, has often been labeled as controversial due to its explicit sexual content. The film’s unapologetic approach to sensuality, including numerous explicit scenes, has led to debates about whether it crosses the line into pornography. The distinction between eroticism and pornography in cinema is subjective and often influenced by cultural and societal norms. While some argue that “Monella” explores eroticism in a liberating and artful manner, others see it as gratuitous and pornographic.

Tinto Brass, known for his exploration of sexuality in film, defends “Monella” as a celebration of sexual freedom and a rejection of societal constraints. He contends that the film’s explicit content serves to challenge traditional norms and provoke thought about the nature of desire and societal hypocrisy.

The Role of Context:

One key factor in the debate over “Monella” is the context in which it is presented. Erotic films with artistic merit, such as “Last Tango in Paris,” are often seen as legitimate expressions of cinematic artistry. The storytelling, character development, and cinematography play crucial roles in elevating these films beyond mere titillation.

In contrast, pornography is primarily concerned with explicit sexual content for arousal and lacks the narrative and artistic elements that distinguish cinema as an art form. The line between the two becomes blurred when explicit content is gratuitously inserted into a film without a compelling narrative purpose, potentially diminishing its artistic value.

“Monella” remains a contentious film that challenges our perceptions of eroticism and pornography in cinema. While it pushes boundaries and provokes discussion, the debate over whether it crosses the line into pornography ultimately hinges on individual perspectives and cultural norms.

In the realm of film, the distinction between erotica and pornography is nuanced and often subjective. It is a delicate balance that depends on the context, intent, and artistic merit of a work. “Monella” serves as a reminder that exploring the thin line between erotica and pornography in cinema can be a thought-provoking and controversial endeavor, leaving audiences to ponder the complex relationship between sensuality, storytelling, and artistic expression in the world of film.

Click here to watch the movie!

Read every other article here

Read More
Visit Italy With Movies

A Hilarious Italian Classic: “Un Sacco Bello” Starring Carlo Verdone

Written by dario.cangemi19 Ottobre 2023

Italian cinema has a rich history of producing timeless classics, and “Un Sacco Bello” (English: A Beautiful Mess) is undoubtedly one of them. Released in 1980, this comedy film directed by Carlo Verdone himself has solidified its place in the hearts of audiences as a masterpiece of Italian cinema. In this article, we will explore the charm, humor, and cultural significance of “Un Sacco Bello.”

Carlo Verdone: The Man Behind the Madness

Carlo Verdone, an iconic Italian filmmaker and actor, took on the dual role of director and protagonist in “Un Sacco Bello.” Known for his ability to portray a wide range of characters, Verdone’s impeccable comedic timing and versatility shine throughout the film. In “Un Sacco Bello,” he plays three distinct characters: Guido, Antonio, and Mattia. Each character represents a unique facet of Italian society, making the film a hilarious yet thought-provoking commentary on Italian culture.

The plot of “Un Sacco Bello” revolves around the lives of the three protagonists, Guido, Antonio, and Mattia, who share a run-down apartment in Rome. The film unfolds as the trio embarks on various comical misadventures, all while grappling with their individual problems and ambitions.
Guido is an aspiring actor with big dreams but is constantly rejected at auditions. Antonio is a hopeless romantic who is repeatedly let down in his pursuit of love. Mattia is a scholar who is engrossed in academic pursuits but often finds himself in absurd situations. Their interactions and escapades provide a hilarious and heartwarming glimpse into the struggles of young adults trying to find their place in the world.

Italian Society and Cultural Reflections

“Un Sacco Bello” offers a unique lens through which to view Italian society and culture in the early 1980s. The film captures the spirit of the time, as Italy was undergoing significant social and economic changes. Verdone’s characters personify various facets of Italian society, showcasing the challenges and aspirations of the average Italian. This film masterfully weaves comedy with social commentary, making it a mirror to the society of its era.

Humor and Satire

The comedic elements in “Un Sacco Bello” are abundant and reflect the brilliant storytelling and performances by the cast. The humor is quintessentially Italian, filled with witty one-liners, slapstick comedy, and absurd situations that will leave you in stitches. This film satirizes various aspects of life, including the entertainment industry, relationships, and the pursuit of knowledge.

Carlo Verdone’s ability to portray multiple characters with distinct personalities adds another layer of comedic depth to the film.
The three main characters, Guido, Antonio, and Mattia, are brought to life through Verdone’s outstanding acting. Guido’s charismatic yet often deluded demeanor, Antonio’s heartfelt romanticism, and Mattia’s intellectual clumsiness are all portrayed with genuine authenticity. The audience can’t help but root for these relatable characters as they navigate life’s challenges and uncertainties.

“Un Sacco Bello” was met with both critical acclaim and commercial success upon its release. It received several award nominations and accolades, further cementing Carlo Verdone’s reputation as a talented filmmaker. The film’s enduring popularity has made it a classic in Italian cinema, celebrated by audiences and film enthusiasts alike.

Watch the movie on www.movieitalyplus.com

Read all the articles here!

Read More
Visit Italy With Movies

Italian horror: everything you need before a movie marathon

Written by livia.tripiciano11 Ottobre 2023

Welcome to October, the Halloween month!

Could you find anything better than a warm plaid on the couch while sipping a hot beverage, or enjoying the freshly baked hot popcorn, waiting for a movie to start?

There is no spooky season without a thrilling horror movie marathon. But have you ever wondered about how the horror genre was born in Italy?

The roots of this distinct and unique genre can be traced back to the silent era, with films like “Il Golem” (1920) by Henrik Galeen and Paul Wegener laying the groundwork for the genre. However, it was in the 1960s and 1970s that this genre truly flourished, marked by the emergence of iconic filmmakers such as Mario Bava and Dario Argento.

Often referred to as the “father of Italian horror,” Mario Bava was fundamental in shaping the genre. His films, including “Black Sunday” (1960) and “Black Sabbath” (1963), blended gothic horror with artistic cinematography, influencing a generation of filmmakers. Bava’s atmospheric visuals, use of color, and innovative camera techniques set the stage for the golden era of horror made in Italy.

Building upon Bava’s legacy, Dario Argento became a prominent figure in Italian horror cinema. Argento’s films, such as “Suspiria” (1977) and “Profondo Rosso” (1975), showcased a mastery of suspense and a fascination with the psychological aspects of fear. His use of vibrant colors, haunting scores, and intricate plotlines propelled him to international acclaim.

Italian horror is often associated with the subgenre known as “giallo.” Characterized by its blend of mystery, thriller, and horror elements, giallo films are often marked by intricate murder plots, stylish visuals, and suspenseful narratives. Works like “The Bird with the Crystal Plumage” (1970) by Dario Argento exemplify the giallo style, influencing subsequent horror filmmakers worldwide. Italian horror cinema often delves into the cultural and societal context of the country, reflecting its historical, religious, and artistic influences. Many films explore themes rooted in Italian folklore, mythology, and Catholicism, adding layers of depth to the horror experience. The juxtaposition of ancient traditions with modern fears creates a unique tapestry of horror that is distinctly Italian.

While the golden era of Italian horror may have peaked in the 1960s and 1970s, the legacy lives on. Contemporary filmmakers like Luca Guadagnino, known for his 2018 remake of “Suspiria,” and Roberto De Feo, director of “The Nest” (2019), continue to contribute to the evolution of Italian horror, blending traditional elements with modern storytelling techniques.

Italian horror cinema is a fascinating journey into the dark recesses of fear, where the macabre meets the artistic, and suspense intertwines with cultural symbolism. From the pioneering works of Mario Bava to the mastery of Dario Argento, the genre has left an indelible mark on the global landscape of horror cinema. As the legacy continues through contemporary filmmakers, the horror genre remains a captivating exploration of the human psyche and the eternal fascination with the unknown.

While Italian cinema encompasses various genres, one that stands out for its unique and spine-chilling allure is horror. Italian horror cinema has carved a distinctive niche for itself, captivating audiences with its atmospheric storytelling, psychological depth, and, of course, the macabre.

Don’t miss other insights on Italian cinema on our blog!

And watch our Horror Movies on www.movieitalyplus.com

Read More
Cinema Pills, Visit Italy With Movies

Amore all’Italiana

Written by gaia.maggio9 Ottobre 2023

Eduardo Vianello’s Timeless Ode to Italian Romance

In the world of Italian music, few songs have captured the essence of love and romance as perfectly as “Amore all’Italiana.” Released in 1966 and performed by the talented Eduardo Vianello, this timeless classic not only remains a beloved staple of Italian music but also serves as a musical embodiment of the passionate and amorous spirit of Italy. In this article, we’ll delve into the enduring charm of “Amore all’Italiana” and celebrate the remarkable career of Eduardo Vianello.

Eduardo Vianello: The Crooner of Love:

Before we explore the magic of “Amore all’Italiana,” let’s pay homage to the maestro behind this iconic tune, Eduardo Vianello. Born in 1938 in Rome, Italy, Vianello enjoyed a multifaceted career in music, television, and film. He was not only a gifted singer but also a songwriter and actor, making him a true Renaissance man of Italian entertainment.

Vianello’s distinctive crooning style, characterized by velvety vocals and emotional depth, set him apart as a true romantic balladeer. His ability to convey deep emotions through his music earned him a special place in the hearts of Italian and international audiences alike.

“Amore all’Italiana”: A Timeless Love Song:

“Amore all’Italiana” is arguably Eduardo Vianello’s most celebrated masterpiece. Moreover, the song, composed by Gianni Boncompagni and Sergio Bardotti, beautifully encapsulates the essence of Italian romance. Especially with its melodic and passionate lyrics, it narrates the quintessential Italian love story, where love is fiery, all-consuming, and unapologetically passionate.

The song’s memorable chorus, “Amore all’Italiana, dolce dolce dolce,” captures the sweetness and tenderness of Italian love, and Vianello’s heartfelt delivery leaves no doubt about his own feelings for the subject matter. The composition’s lush orchestration and Vianello’s emotive vocals make it an enduring anthem for lovers, both young and old.

A Cultural Touchstone:

“Amore all’Italiana” transcends time and language barriers, appealing to generations of music lovers worldwide. Its portrayal of love in the Italian style, characterized by warmth, sensuality, and an appreciation for life’s simple pleasures, has made it a cultural touchstone that continues to resonate with audiences.

Eduardo Vianello’s legacy extends beyond “Amore all’Italiana.” His contributions to Italian music include a rich catalog of romantic ballads and pop hits that have left an indelible mark on the country’s musical landscape. His music has the power to transport listeners to the romantic streets of Rome or the enchanting canals of Venice, evoking the timeless allure of Italy.

“Amore all’Italiana” and Eduardo Vianello are inseparable, their names synonymous with the enduring spirit of Italian romance. Vianello’s velvet voice and the song’s enchanting melody continue to inspire lovers, ignite passions, and celebrate the magic of love in true Italian style.

As we listen to this classic ode to love, we are reminded of the power of music to capture the essence of a culture and evoke deep emotions. Eduardo Vianello’s legacy lives on through his music, and “Amore all’Italiana” remains a testament to the enduring romance and musical artistry of Italy.

Click here to watch the movie!

Read our articles here!

Read More
Travel with Movies, Visit Italy With Movies

Gassman: a triumphant debut in “Steam The Turkish Bath”

Written by chiara.dibacco4 Ottobre 2023

In the vast landscape of Italian cinema, few figures can boast as illustrious a cinematic heritage as Alessandro Gassman. The son of the legendary actor Vittorio Gassman and actress Juliette Mayniel, Alessandro Gassman grew up in an environment steeped in film culture from birth. However, it was in 1997 that the young actor made his triumphant debut on the big screen, leaving a mark with the film “Steam: The Turkish Bath.”

Directed by Ferzan Özpetek, “Steam: The Turkish Bath” (Hamam in Turkish) is an Italo-Turkish romantic comedy that captured the attention of critics and audiences worldwide. The film tells the story of an Italian architect, Francesco, portrayed by Alessandro Gassman, who travels to Istanbul to inherit a hamam, a traditional Turkish bath, from a deceased relative. During his stay, Francesco uncovers a series of secrets and intrigues, triggering a process of self-discovery and transformation.

Alessandro Gassman’s debut in “Steam: The Turkish Bath” was remarkable for several reasons. Firstly, it demonstrated that the young actor had inherited not only his father’s acting talent but also his versatility. The character of Francesco required a range of complex emotions, from comedy to drama, and Gassman was able to convey every nuance masterfully.

Secondly, the film was significant because it represented an opportunity for Italian cinema to collaborate with Turkish culture at a time when Europe was becoming increasingly interested in the relationships between different cultures and traditions. “Steam: The Turkish Bath” was an example of international cinema, with a multicultural cast and a plot that blended elements of Italy and Turkey into a compelling story.

The success of the film did not go unnoticed. Alessandro Gassman received unanimous praise for his performance, proving that he was destined to become a major star in Italian cinema. The film itself received numerous awards, including the Golden Globe for Best Actor to Gassman and the FIPRESCI prize at the Venice Film Festival in 1997. Furthermore, “Steam: The Turkish Bath” was an international success, helping to introduce Gassman’s talent to a global audience.

Alessandro Gassman’s debut in “Steam: The Turkish Bath” opened doors to an exceptional film career. Over the years, Gassman continued to refine his acting skills, taking part in a wide range of successful film projects. He showcased his versatility through roles in dramatic films, comedies, and international productions.

In conclusion, Alessandro Gassman’s debut in “Steam: The Turkish Bath” was a significant moment in the history of Italian and Turkish cinema. It launched the career of an extraordinary actor and contributed to promoting intercultural dialogue through film. This movie remains a classic of Italian cinema and a milestone in Alessandro Gassman’s career.

Watch the full movie at www.movieitalyplus.com or watch the clips at www.blog.visititalywithmovies.com

Read More
Travel with Movies, Visit Italy With Movies

Italian crime: Torino Violenta

Written by gaia.maggio29 Settembre 2023

Exploring the Relationship Between Film and the Turin Streets

The 1977 Italian crime thriller “Torino Violenta” (also known as “Violent Turin”) directed by Carlo Ausino and starring Maurizio Merli is a cult classic that remains an intriguing cinematic representation of the city of Turin. Beyond its gripping plot and memorable characters, the film’s portrayal of Turin reflects a dynamic and complex relationship between cinema and the urban landscape. In this article, we will delve into the world of “Torino Violenta” and explore how the movie interweaves with the city, capturing its essence during a turbulent era in Italy.

Setting the Scene

Released during the height of the Italian crime film genre, “Torino Violenta” is a product of its time. The film is set in the late 1970s when Italy was grappling with political turmoil, economic uncertainty, and rising crime rates. Turin, a city primarily known for its automotive industry and beautiful architecture, served as the backdrop for this gritty crime drama. The film’s choice of location was not incidental; it was a deliberate attempt to juxtapose the city’s elegant façade with its darker underbelly.

The City as a Character

In “Torino Violenta,” Turin emerges as a character in its own right. The film takes viewers on a journey through the city’s diverse neighborhoods, from the bustling city center to the more marginalized and crime-ridden areas. The choice of locations, such as the iconic Mole Antonelliana and the Po River, adds a distinct visual dimension to the narrative.

A great cinematography captures Turin’s contrasting faces: the gleaming modernity symbolized by its car factories and the decaying urban landscape infested with crime and corruption. This juxtaposition serves to underscore the film’s central theme of the battle between law and lawlessness.

Social Commentary

“Torino Violenta” is more than just a crime thriller; it’s a social commentary on the conditions of the working class in Turin during that era. The film portrays a city where the gap between the rich and the poor is stark, and crime becomes a desperate means of survival for some. This aspect of the film resonated with audiences who were living through similar socio-economic challenges at the time.

The film doesn’t shy away from depicting the harsh realities of life in Turin, including scenes of poverty, violence, and desperation. This unflinching portrayal not only adds depth to the characters but also highlights the city’s role in shaping their destinies.

Legacy and Influence

“Torino Violenta” has left a lasting legacy in the world of Italian cinema. It stands as a testament to the power of location and its ability to shape the narrative of a film. The film’s portrayal of Turin has inspired subsequent generations of filmmakers to use the city’s unique character as a canvas for their stories.

Additionally, the film’s exploration of crime and corruption in Turin mirrors larger societal issues, making it relevant even today as a commentary on the challenges faced by urban centers worldwide.

“Torino Violenta” is not just a crime film set in Turin; it is a cinematic exploration of the city’s soul during a turbulent period in Italian history. Through its evocative portrayal of locations, characters, and social issues, the film manages to capture the essence of Turin in the 1970s. Its gritty depiction of the city’s underbelly has left an indelible mark on Italian cinema, reminding us of the power of film to reflect and comment on the world it portrays. In the case of “Torino Violenta,” it’s a compelling reminder of the complex relationship between cinema and the city of Turin.

Visit MovieItalyPlus to watch the film

Don’t forget to read all about italian cinema here!

Read More