Visit Italy With Movies

From ‘La Rabbia’ to ‘Vita violenta’

Pier Paolo Pasolini, one of the greatest Italian directors and intellectuals of the 20th century, left an indelible mark on the world of cinema. All due to his unique connection with Rome, the eternal city, particularly significant in his artistic career. In this article, we will explore two of his most emblematic films, ‘La Rabbia’ (1963) and ‘Vita violenta’ (1962). Focusing on the evocative Roman locations that played a fundamental role in the narrative and visual context of the works.

‘La Rabbia’ is a documentary film by Pasolini that deals with political and social issues of the time, with a focus on Italian contradictions. Set mainly in the suburbs of Rome, the film uses a combination of archive images, everyday life sequences and interviews. Fundamental tool to explore the anger and frustration that permeated Italian society at the time.

The locations chosen by Pasolini for ‘La Rabbia’ are emblematic of his desire to represent the social reality of Rome. Suburban neighbourhoods, such as the Ostia district and EUR (Rome Universal Exhibition), serve as the backdrop for the stories of ordinary people. Pasolini intentionally avoided the iconic and touristy areas, such as the Colosseum or Piazza Navona, to focus on a more authentic vision of the city.

“Vita violenta’ tells the story of a young man seekinga way out from the misery of his existence. The film, overall, focuses on the Trastevere district, an area that Pasolini loved and that represented popular Roman life. The narrow, winding streets of Trastevere become the theatre for the adventures of the protagonist, played by Franco Citti. Pasolini explores the alleys, squares and hidden corners of this neighbourhood, capturing the unique energy and character of Trastevere.

Significant is the choice of this location, as the neighbourhood represents a meeting place for rebels and bohemian artists. Thus offering an authentic atmosphere to tell the story of an alienated young man looking for a better life.

To conclude, Pier Paolo Pasolini made masterful use of Roman locations to create an immersive and authentic cinematic experience. By choosing suburbs and working-class neighbourhoods as the backdrop for his stories, Pasolini was able to portray the social reality and contradictions of Italian society.

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The city of Milan has always been a reference point for Italian and international cinema. Thanks to its futuristic architecture, lively streets and nightlife, the city has become a place of inspiration for many film directors and producers.

One of the most famous films set in Milan is certainly ‘Ricomincio da tre’ by Massimo Troisi. Telling the story of Gaetano, a young Neapolitan who moves to Milan in search of work. The film was mainly shot in the Porta Ticinese area, and has become a classic of Italian cinema.

Another film set in Milan is ‘La notte’ by Michelangelo Antonioni, a story about a literary critic spending the night in the city for inspiration. The film was shot in several locations in the city, including the Torre Velasca, the Monumental Cemetery and the Central Station.

Milan has also been chosen as a location for many international films, such as Steven Soderbergh’s ‘Ocean’s Twelve’. Where Brad Pitt and George Clooney filmed some scenes in the city centre. Milan was also chosen as the backdrop for the film ‘Nine’ by Rob Marshall, starring Nicole Kidman and Penélope Cruz.

But it is not only the architectural beauty of Milan that has been immortalised on the silver screen. The city has also been chosen for many action scenes, such as in the film ‘The Italian Job’ by F. Gary Gray, in which a gang of thieves carries out a spectacular robbery in a Mini Cooper through the streets of Milan.

In short, the city of Milan has a long tradition of connection with the cinema, thanks to its beauty, vibrancy and culture. Cinema has been able to immortalise the city over time, making Milan a place of inspiration for film directors from all over the world.

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Rome’s Testaccio district has long been a landmark for the Italian film scene. Between the 40s and 50s, many directors and actors settled in this popular neighbourhood. Mainly attracted by its lively atmosphere and its proximity to the EUR film studios.

Testaccio inspired many directors to shoot films in this neighbourhood, including Federico Fellini with ‘Roma’ (1972) and Nanni Moretti with ‘La messa è finita’ (1985). The district served as a backdrop for many other Italian films. Nanni Moretti’s ‘Bianca’ (1983), Pier Paolo Pasolini’s ‘Mamma Roma’ (1962) and Gabriele Muccino’s ‘L’ultimo bacio’ (2001).

Today, Testaccio continues to be a vibrant and lively neighbourhood with many trendy cafés, restaurants and bars. The neighbourhood is also home to the well-known Cinema Museum of Rome, which houses a vast collection of objects and memorabilia.

The Testaccio district has become an icon of Italian cinema and continues to attract filmmakers, actors and film enthusiasts from all over the world. Known for its lively nightlife, Testaccio is also famous for its gastronomy, with restaurants and trattorias. Serving traditional Roman cuisine and local specialities such as artichokes alla giudia and pasta alla gricia. The neighbourhood has a long tradition of cultural and artistic activities.

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Tuscany has often been the harmonious and beautiful location of important films known all over the world.
A Region appreciated by directors and screenwriters, not only within the Italian borders, but also in Hollywood. Thus becoming the setting for world-famous films that have received Oscar awards and important awards.

The romantic streets, Renaissance palaces, and churches of the Val d’Orcia, were the set of the movie “The English Patient” (9 Oscar awards in 1996). At the close of World War II, a young nurse tends to a badly-burned plane crash victim. His past is shown in flashbacks, revealing an involvement in a fateful love affair.

The film that perhaps more than any other has enhanced the Val d’Orcia is “Gladiator” by Ridley Scott. There are two emblematic scenes from the film shot here. Firstly, the Gladiator’s house, set of the dramatic episode of the murder of his family. Secondly the famous finale in which the gladiator caresses the ripe wheat in the Elysian Fields.

Franco Zeffirelli directed some of his cult films in the Val d’Orcia. Particularly in Pienza, where the great master Franco Zeffirelli directed “Romeo and Juliet”. Some of the main scenes were shot in the courtyard of Palazzo Piccolomini and some are divided between Piazza Pio II and Corso Rossellino. The film “Brother sun sister moon” was shot in Val d’Orcia too. This movie is about the life of St. Francis of Assisi from his conversion experience to his audience with the pope.

The Taviani brothers also chose the Val d’Orcia for their film “Wondrous Boccaccio”, where 10 young friends hide out from the plague during the 1300s.

Pienza and Montepulciano have also been the location of recent films such as “New Moon – The Twilight saga” and “The Medici” series. While set in the region’s capital of Florence, much of the filming takes place on location around Tuscany, like Volterra, Montepulciano Pistoia, Pienza.

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The relationship between Rome and cinema is a long-lasting relationship, since the Eternal City has always been the scene of incredible sets, thanks to the variety of its landscapes and monuments, perfect locations for films of yesterday and today.

Although already known, cinema has helped to expand, in several cases, the fame of many monuments consecrating them for eternity. Thanks to the masterpieces of cinema, many views of the Italian capital city are now associated with scenes or characters; this is the case of the Fontana di Trevi and The Dolce Vita, or the Bocca della verità and Roman Holidays, but also the Colosseum and Un americano a Roma or, in more recent times, the Eur lake and L’ultimo bacio or the Gianicolo’s fountain and The Great Beauty.
Walk the streets and neighborhoods where famous films were shot, can carry you within the film in question or live again one beloved scene.

If you want to dive into the magic atmospheres of the Eternal City you cannot miss these titles and their magic locations:

Il Marchese del Grillo: masterpiece of Mario Monicelli with the great Alberto Sordi. It is the perfect film to relive Rome in nineteenth century. Between the great monuments and the lesser known alleys, you are transported to the past with laughter! Among the most iconic locations: The Loggia dei Cavalieri di Rodi, Castel Sant’Angelo and the Roman Forum.

Love Italian way: Film a episodi that tells the vices, habits and costumes of Italian society of the 60s. Among the most beautiful scenes on the terrace that show the views of Sant’Agnese in Agone, the Palace of Justice and San Salvatore in Lauro.

Too bad she’s bad: Marcello Mastroianni and Sophia Loren in this funny fresco of Rome in the 50s. Between adventures and racing in the car Rome looks more beautiful than ever thanks to its wonderful monuments: The mouth of truth, the Colosseum and San Pietro.

Love & Anarchy: Lina Wertmuller directs Giancarlo Giannini and Mariangela Melato in a masterpiece of Italian cinema nominated for the Palme d’Or at Cannes. Revenge and love at the time of the fascist dictatorship between the views of Rome: from Piazza di San Pietro in montorio to the splendid Gianicolo.

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5 David di Donatello, 3 Silver Ribbons, 12 Golden Globes, 1 ciak d’oro, 1 Golden Lion.

During the 60s, Ms Vitti embodied the neurosis of Italian society, only to cure them with laughs and comedy during the 70s. After graduating at the Rome’s National Academy of Dramatic Arts, Monica worked first in the theatre and then as a voice actor. Cinema came after being noticed by Michelangelo Antonioni, who became her partner in life and at work.

Antonioni wanted her for his “trilogy of incommunicability”, three black and white films, with unforgettable scenes and roles. Consequently these film became an important part of the history of Italian cinema. In the first movie, L’Avventura (1960), Vitti is the tormented Claudia; La Notte(1961) she is the girl who seduces Marcello Mastroianni. Finally L’Eclisse (1962), she plays Vittoria, a young literary translator.

In 1967, her relationship with Antonioni was over and Ms Vitti decided to reinvent herself, acting in comedy movies. The very popular Commedia all’Italiana – allowing the public to discover an unusual side of herself. She acted in comedies with directors like Roger Vadim, Luciano Salce, Tinto Brass. Mainly thanks to her acting skills, Ms Vitti managed to create unforgettable comedy characters and roles that have become part of the history of Italian cinema. The great Adelaide in Dramma Della Gelosia by Ettore Scola or Ninì Tirabusciò in “La donna che Inventò la Mossa” ,Teresa in “Teresa la Ladra”. She also performed along with the most famous comedians of the times, from Alberto Sordi to Ugo Tognazzi.

Two more unforgettable performances of the great actress are In “La ragazza con la pistola”, directed by Mario Monicelli. Here Monica is Assunta Patanè, a Sicilian girl who moves to the UK, seeking revenge after being abandoned. In addition, “La pacifista” directed by Miklós Jancsó when she acted with Pierre Clémenti. Monica Vitti was not only a great artist, but also a genuine Italian, given that constant dichotomy between comedy and drama. Undoubtedly, she was perfect and credible in both dramatic and comedic roles, making people laugh and cry like no one else. Monica Vitti was a unique artist. She embodied the two souls of Italy, the perpetual changing between drama and farce, comedy and tragedy, sadness and happiness.

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