“Ride” marks the directorial debut of acclaimed Italian actor Valerio Mastandrea, known for his versatile performances in Italian cinema. Released in 2018, the film delves into the complexities of grief and the varied ways individuals cope with loss. Shot in the Lazio region of Italy, including locations in and around Rome and its suburban areas, the setting plays a significant role in grounding the story in a relatable and authentic environment. The industrial and residential landscapes reflect the working-class backdrop of the characters, enhancing the narrative’s emotional depth.

The narrative centers on Carolina, portrayed by Chiara Martegiani, a woman grappling with the sudden death of her husband in a factory accident. As the funeral approaches, Carolina and her 10-year-old son, Bruno, each navigate their mourning processes uniquely. While Bruno rehearses a television interview to honor his father, Carolina confronts societal expectations of widowhood, particularly her perceived inability to cry, which becomes a focal point of her internal struggle.

Mastandrea’s direction offers a poignant exploration of mourning, emphasizing that there is no singular way to experience grief. The film juxtaposes moments of levity with profound sorrow, reflecting the unpredictable nature of human emotions during times of loss. This approach aligns with Mastandrea’s intent to portray the multifaceted experiences of pain, as he noted, “There are many ways to experience pain.”

Critics have lauded “Ride” for its authentic depiction of bereavement and Mastandrea’s seamless transition from actor to director. The film’s ability to balance humor and tragedy without resorting to clichés has been particularly praised. As one review highlights, the film is “a spaced-out and original drama, recounted like a comedy, laughter and emotion, no tricks or facile…”
“Ride” garnered international recognition, earning Mastandrea the Silver St. George for Best Director at the 2019 Moscow International Film Festival.

The film’s success underscores its universal themes and Mastandrea’s adept storytelling.
In summary, “Ride” is a compelling examination of grief’s complexities, marked by strong performances and insightful direction. Mastandrea’s inaugural venture into directing presents a nuanced narrative that resonates with audiences, offering a fresh perspective on the human condition in the face of loss.

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