Cinema Pills, Italian culture & Cinema, Visit Italy With Movies

Vittorio De Sica: Master of Italian Neorealism in Cinema

Vittorio De Sica, an Italian film director, actor, and one of the most prominent figures of the neorealist
movement, left an indelible mark on the world of cinema. His innovative storytelling, deep social insights,
and a unique blend of realism and emotion have earned him a place among the greatest filmmakers in
history. This article delves into the life, works, and legacy of Vittorio De Sica, exploring how he
revolutionized filmmaking through the lens of neorealism. Before transitioning to directing, De Sica’s acting career flourished, earning him recognition and respect in the Italian film industry.

The Neorealist Movement:
In the aftermath of World War II, Italy underwent a period of profound socio-economic and political
transformation. It was in this context that De Sica, along with other pioneering filmmakers like Roberto
Rossellini and Luchino Visconti, helped shape the neorealist movement. Neorealism aimed to depict the
harsh realities of post-war Italy, focusing on ordinary people and their struggles. De Sica’s films, such as
“Shoeshine” (1946) and “Bicycle Thieves” (1948), are emblematic of this movement, emphasizing human
experiences over extravagant plots.

“Bicycle Thieves”:
De Sica’s magnum opus, “Bicycle Thieves,” is perhaps his most celebrated work. The film tells the story of a desperate father’s quest to find his stolen bicycle, essential for his job. Through this simple narrative, De
Sica captures the essence of poverty, dignity, and the bond between a father and his son. Shot on the
streets of post-war Rome with non-professional actors, the film achieved an unprecedented level of
authenticity that resonated with audiences worldwide.

Evolution of Style:
As De Sica continued to direct, his films evolved to incorporate a broader spectrum of emotions while
maintaining his commitment to realism. “Umberto D.” (1952) offers a poignant portrayal of an elderly
man’s struggles, highlighting themes of isolation and societal neglect. De Sica’s versatility was evident in
“Miracle in Milan” (1951), a whimsical take on fantasy and social commentary.

Legacy and Influence:
De Sica’s influence extended beyond the confines of Italian cinema. His films not only garnered
international acclaim but also inspired generations of filmmakers worldwide. The neorealist principles he
championed left an indelible mark on cinematic storytelling, encouraging a shift towards more authentic
and socially relevant narratives. Directors such as Satyajit Ray, Abbas Kiarostami, and Ken Loach found
inspiration in De Sica’s approach, incorporating his realism into their works. Vittorio De Sica’s impact on
cinema is immeasurable. His commitment to portraying the human experience with unfiltered honesty, his
innovative use of non-professional actors, and his ability to capture the complexities of post-war Italy have solidified his status as a true cinematic luminary. Through his neorealist masterpieces like “Bicycle Thieves,” De Sica demonstrated that even in the bleakest of circumstances, the silver screen could illuminate the resilience, dignity, and beauty of the human spirit.

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Italian culture & Cinema, Visit Italy With Movies

Giovanna Mezzogiorno: an Italian heritage

Giovanna Mezzogiorno is an Italian actress who has gained recognition both in Italy and internationally for her work in film, television, and theater.
Born on November 9, 1974, in Rome, Italy, Mezzogiorno comes from a family of artistic heritage; her mother, Vittoria Mezzogiorno, was also a renowned actress. Giovanna Mezzogiorno began her acting career in Italian theater and gradually transitioned to film.


Success comes with Gabriele Muccino’s “The Last Kiss” in which she plays with great intensity the betrayed partner of Stefano Accorsi. In 2002 she took a difficult role as Ilaria Alpi. Entirely based on the murder of the Italian journalist and her cameraman Miran Hrovatin in Mogadishu in 1994. The film directed by Ferdinando Vicentini Orgnani, winning the Silver Ribbon for Best Actress. With the following “Facing Windows” by Ferzan Ozpetek she collects acclaim from critics, public and voters of major artistic awards. A David Donatello Award, a Silver Ribbon, a Golden Globe and the Best Actress Award at the Karlovy Vary International Film Festival. In 2003 she won another Silver Ribbon thanks to “L’amore ritorna” by Sergio Rubini. She also starred in “Love in the Time of Cholera” (2007), and “Vincere” (2009), in which she portrayed Ida Dalser, Benito Mussolini’s mistress.
In 2017 she reunited with director Ferzan Ozpetek in “Napoli Velata” in which she starred alongside with Alessandro Borghi. In 2022 she starred in “Amanda” by Carolina Cavalli and “Educazione fisica” by Stefano Cipani, continuing to contribute to the industry with her incredible performances.


Her performances have garnered numerous awards and nominations, solidifying her reputation as a talented and versatile actress. Her contributions to cinema and her presence on the international stage have made her a notable figure in the acting world world

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The city of Naples: a cinematic Odyssey


The city of Naples, a mesmerizing blend of history, culture, and untamed passion, has captivated the
world’s imagination for centuries. However, this enchanting metropolis doesn’t only come alive through its bustling streets, historic architecture, or mouthwatering cuisine—it also finds its essence captured on the silver screen. The interplay between cinema and the city of Naples is a complex, symbiotic relationship that reflects the city’s multifaceted character and provides a unique lens through which to explore its essence.


A Historical Tapestry: Naples Through the Cinematic Lens


From the glimmering waters of the Bay of Naples to the narrow alleys of the historic center, the city’s
physical features have long provided a backdrop for cinematic storytelling. Directors have utilized the iconic Vesuvius as a symbol of both destructive power and the fragile beauty of life. Federico Fellini’s “Nights of Cabiria” (1957) and Roberto Rossellini’s “Voyage to Italy” (1954) stand as early examples of films that showcased the stunning yet contradictory landscape of Naples.
However, it’s not just the city’s aesthetics that have drawn filmmakers—it’s the deep well of stories that
Naples holds. The city’s rich history, with its layers of mythology, ancient ruins, and historical significance,
becomes a treasure trove for narratives. Films like Matteo Garrone’s “Gomorrah” (2008), based on Roberto
Saviano’s exposé on the Neapolitan mafia, delve into the grittier aspects of life in Naples, shedding light on its underworld while capturing the resilience of its people.


Naples as a Character: The City’s Vibrant Personality


In many films, Naples transcends being just a backdrop; it transforms into a living, breathing character that influences the plot and characters. The city’s chaotic energy, reflected in its lively street markets,
passionate locals, and vivacious celebrations, often becomes a driving force in the narrative.
Consider the romantic drama “Love is All You Need” (2012), directed by Susanne Bier, which utilizes Naples’stunning vistas and vibrant culture to mirror the characters’ personal transformations. The city’s quirks, such as the famous Neapolitan custom of hanging bedsheets outside windows, add an authentic touch that deepens the storytelling.


Music, Mayhem, and Magic: Naples Unfiltered


Naples’ connection to music is as passionate as its relationship with cinema. The city’s musical heritage,
from the operas of Bellini to the folk tunes echoing through the streets, has left an indelible mark on
cinema. Films like “The Talented Mr. Ripley” (1999) blend the city’s atmospheric music with its labyrinthine
alleys, creating an immersive experience that captures Naples’ unique aura.
Furthermore, the city’s sense of unpredictability and the juxtaposition of beauty and chaos make it a fertile ground for magical realism. Films like “The Miracle” (2013) by Gianluca Maria Tavarelli blur the lines
between the ordinary and the extraordinary, much like the city itself does.


Challenges and Opportunities: Naples on Screen


While Naples has played host to countless cinematic stories, it also faces its own challenges that often find their way into films. The socio-economic disparities, the omnipresence of organized crime, and the struggle for modernization present themes that filmmakers can’t ignore. However, the films that emerge from these challenges also shed light on the resilience of the Neapolitan spirit. “Napoli Velata” (2017), directed by Ferzan Özpetek, intertwines a murder mystery with the city’s complexities, showcasing its ability to evolve while staying true to its essence. Naples, with its layers of history, contradictions, and fervent spirit, serves as a canvas for filmmakers to paint their stories upon.

Through its streets, its people, and its unique energy, the city of Naples becomes more than just a location—it transforms into an experience, a feeling that resonates with audiences around the world. Whether capturing its picturesque beauty or delving into its tumultuous depths, cinema and Naples share an unbreakable bond that continues to enrich both the city and the art form.

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Bianco, Rosso e Verdone: 1980s Italy

“Bianco, Rosso e Verdone” is an on the road comedy directed and performed by Carlo Verdone, released in 1981. Carlo Verdone is indeed considered a Roman and Italian icon. His contributions to Italian cinema and culture have earned him a special place in the hearts of many Italians. Thus contributing to a lasting impact on the country’s entertainment industry.

This film is often considered a satirical and humorous portrait of 1980s Italy, offering a glimpse into various aspects of Italian society at that time. The film’s title itself refers to the colours of the Italian flag: white, red and green.
The film features three parallel stories, each focusing on one of the three characters played by Carlo Verdone himself. Each character must go to Rome to vote for the elections. Either from abroad or from another Italian city, the film follows the three Italians in this electoral journey. Each of these stories reflects a different aspect of Italian society and its idiosyncrasies.
The first episode concerns Furio, a talkative and pedantic man who must reach Rome from Turin, along with his family. His wife Magda can’t stand him anymore and lives a life of resigned despair and psychotropic drugs.
The protagonist of the second episode is Mimmo, clumsy and naive. He goes on a journey with his grandmother, a bright and sharp old woman, always willing to mock him.
Last character is Pasquale, who leaves from Germany where he lives and works. Pasquale is a taciturn, easy-going and spendthrift man. Like Mimmo, however, he is so clumsy and naive that he suffers the Italian pitfalls such as theft, scams and even a beating.

“Bianco, Rosso e Verdone” is without any doubt a cult film. Some of his quotes have entered the common idioms, making the characters the perfect examples of Italian pop culture.
The film captures the Italian social and cultural atmosphere during the 80s. With its mix of tradition and modernity, the contrast between city and countryside, and the different perspectives of the various social classes. The film uses humour and satire to explore the various aspects of Italy and Italians, offering a funny and often critical look at the society.

Verdone is known for his ability to capture in a unique way all the elements of the everyday life. Many of his films are set in urban settings, but they also explore the nuances of life in other parts of the country.

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Italian culture & Cinema, Visit Italy With Movies

The Italian war film that made history

That Damned Armoured Train

“That Damned Armoured Train” is a 1978 Italian film directed by Enzo G. Castellari and starring a stellar cast, including Bo Svenson, Fred Williamson, Peter Hooten, Michael Pergolani and Raimund Harmstorf. The film, set during World War II, tells the story of a group of American prisoners. Trying vigorously to steal a Nazi’s train, to finance the French resistance. The feature film was a great success with critics and audiences and received numerous international awards and prizes. It is considered one of the best Italian war films of all time and has influenced numerous directors and producers of genre films.

The film follows the leader of the gang, Bo Svenson, and his comrades, as they attempt to rob a train loaded with Nazi gold. Their goal is to finance the French resistance, however, the German officer hunting them down, will complicate their mission.

The film was shot on a limited budget, but made the most of its resources. Thanks to the use of intense cinematography and tight editing to create an atmosphere of tension and suspense. In addition, the film’s action scenes were acclaimed for their intensity and realism, making ‘That Damn Armoured Train’ a cult film among fans of the genre. The film is also known for its soundtrack, composed by Riz Ortolani, who created a series of memorable motifs that intertwine with the film’s scenes, giving it an epic and engaging tone.

“That Damned Armoured Train” is remembered as a classic example of Italian exploitation cinema and is often discussed in the context of cult films from the late 1970s. An iconic Italian war film that has influenced numerous directors and producers of genre films. Its compelling story, intense action scenes and epic soundtrack still make it a cult film loved by fans of the genre.

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Chill with Movies, Italian culture & Cinema

Ariccia, between food and cinema

Ariccia is a charming town located in the region Lazio, in central Italy, and represents a fascinating combination of cinema and food.

From a cinematic point of view, Ariccia has hosted several film productions over the years. Its well-preserved old town, with its picturesque cobbled streets and ancient buildings, has attracted filmmakers looking for striking locations for their works. One of the most famous films shot in Ariccia is “Il Marchese del Grillo“,1981, directed by Mario Monicelli and starring the great Alberto Sordi. This historical comedy tells the adventures and misadventures of a noble libertine in the eighteenth century and many scenes were shot in Ariccia or near in that area.

As for the food, the city is famous for its main culinary specialty: porchetta. The “porchetta of Ariccia” is a traditional Italian delicacy, consisting of a whole pork boned and roasted with a combination of herbs, spices and salt. This culinary delicacy has ancient roots and in Ariccia you can find many restaurants and butchers specialized in the preparation and sale of porchetta.

In addition to pork, it also offers other gastronomic specialties, such as the “Ariccia chicory”, a type of bitter vegetables grown locally, and the famous “Fraschette”; these are typical traditional places where you can taste local products such as wine, meats and cheeses, creating a convivial and festive atmosphere.

So, if you are a movie fan and a lover of good food, Ariccia could be an interesting destination to visit, where you can immerse yourself in a fascinating combination of film culture and enjoy the local culinary specialties.

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Italian culture & Cinema

Abruzzo: the land of cinema between mountains and sea

Abruzzo is a region in central Italy with a great film tradition. The territory, is characterised by a unique landscape stretching from the mountains to the Adriatic coast. Abruzzo, has inspired numerous Italian and international filmmakers, becoming an exceptional location for filming films and television productions.

In the 60s and 70s, Abruzzo saw the birth of severals film studios, such as the Tirrenia Film in Pescara and Fono Roma in Sulmona. Here, renowned director, such as De Sica and Vancini, filmed famous movies.

‘La lunga notte del ’43’ and Vittorio De Sica’s ‘Il giardino dei Finzi Contini’, which won the Oscar for best foreign film in 1972.

In the following years, Abruzzo increasingly became a popular destination for filming films and television productions. The beauty of its landscapes, the variety of its natural scenery, and the richness of its culture have inspired film directors all over the world. The city of Sulmona served as a location for numerous productions, including ‘The Adventures of Pinocchio’ by Comencini and ‘Life of Dante’ by Squitieri. L’Aquila, on the other hand, was chosen as the location for Anton Corbijn’s film ‘The American’, starring George Clooney. Not only the cities, but also the natural landscapes of Abruzzo have been the protagonists of numerous successful films.

Some of the most striking locations include the mountains of the Abruzzo National Park, where they filmed ‘The Name of the Rose’ by Jean-Jacques Annaud. The Adriatic coast, which saw the making of the film ‘The Beach’ by Danny Boyle. Nonetheless, the region has also been the cradle of a number of cinema personalities, such as Mario Monicelli. The Italian director was born in Viareggio but grew up in San Giorgio di Piano.

Abruzzo is an ideal destination for film enthusiasts, thanks to its natural beauty and millennial history that continues to inspire film directors and producers. Which thanks to their works still contribute to making Abruzzo a true cultural and cinematographic heritage.

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Cinema Pills, Italian culture & Cinema

Sicily and the Fight against the Mafia

One Hundred Steps Through History and Landscapes

The film “I Cento Passi” (One Hundred Steps) is an Italian movie from 2000, directed by Marco Tullio Giordana, which tells the true story of Peppino Impastato, a young Sicilian political activist who opposed the mafia.

Primarily set in Sicily, an Italian region known for its breathtaking landscapes and ancient history. Sicily offers a variety of settings, ranging from sandy coasts to majestic mountains, from picturesque villages to charming urban centers.

“I Cento Passi” unfolds in the town of Cinisi, located in the province of Palermo. The town, with its narrow streets and characteristic traditional buildings, provides an authentic and evocative backdrop for the film’s narrative. Viewers can immerse themselves in the atmosphere of Sicily, with its vibrant colors, weathered building facades, and the vibrant energy of daily life.

However, the film doesn’t confine itself to Cinisi. It also explores other parts of Sicily, such as Palermo, the regional capital, with its historic monuments, bustling streets, and traditional markets. Additionally, the film features scenes set in natural landscapes like the beaches of Mondello, famous for their crystal-clear waters, and the surrounding hills that offer breathtaking views of the coastline.

Moreover, Sicily is renowned for its delicious cuisine, and the film doesn’t shy away from showcasing some typical Sicilian dishes. Images of tables filled with specialties like arancini, cannoli, pasta alla norma, and Sicilian granita can be savored, adding an authentic touch and flavor to the story.

In conclusion, “I Cento Passi” not only delivers a powerful story of courage and the fight against the mafia but also captures the beauty and diversity of Sicilian landscapes. Sicily becomes an integral part of the plot, providing visually appealing and engaging context for the film.

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Italian culture & Cinema

Cinecittà: eternal and magical heritage of Italian cinema

Cinecittà is a large film studio complex located in Rome, Italy. It was founded in 1937 by the fascist government of Benito Mussolini. Mainly to establish a center of Italian cinema and promoting the country’s cultural and political values. Cinecittà is not only a place of film production. It is also a symbol of the Italian film industry and of all Italian culture.

In its early years, Cinecittà produced a series of propaganda films, including historical epics such as “Scipio l’Africano” and “Luciano Serra, Pilota,”. Film celebrating the greatness of the Roman Empire and Italian fascism. However, in the 50s and 60s, Cinecittà saw the growth of a new generation of directors. Federico Fellini, Roberto Rossellini and Vittorio De Sica, used the studio to create some of the most acclaimed films in the history of Italian cinema. Renowned title as “La dolce vita,” “Roma città aperta” and “Ladri di biciclette.”

In the 70s and 80s, Cinecittà declined due to competition from foreign film studios and the decrease government funding. However, in the 1990s, the studio saw a revival, with the launch of new projects such as “Ben Hur” and “Gangs of New York.” Today, Cinecittà is one of the largest film studios in Europe, with 19 production halls and a range of production support services. The studio has also been the set of many successful international productions, such as “The Great Beauty,” “Gladiator” and “Mission: Impossible III.”

Today, Cinecittà is a complex of film studios, theaters and exhibition spaces offering a wide range of services to audiovisual productions. Among Cinecittà’s main activities are the production and rental of technical equipment for filming. Moreover, the creation of sets and scenery, makeup and costume design, and audio and video post-production.

Cinecittà has been transformed into a cultural hub open to the public, with an extensive program of events. They curate exhibitions, and activities ranging from music and theater to fashion and design. Places for visitors include the Cinecittà Museum, telling the story of Italian and international cinema, and Cinecittà World, a theme park entirely dedicated to cinema.

Additionally, Cinecittà is a training ground for the next generation of filmmakers. Holding a famous film school and a program of internships for young aspiring directors, screenwriters, actors, and film technicians.

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Italian culture & Cinema

Basilicata, land of cinema

The region Basilicata, located in southern Italy, has a rich and fascinating film history. This region has provided striking locations for many Italian and international films, thanks to its picturesque landscape and its historic cities.

One of the most famous films shot in Basilicata was “Il Vangelo secondo Matteo” (1964), directed by Pier Paolo Pasolini. The director chose the beautiful Matera, the well known city in Basilicata, as the location to represent biblical Jerusalem in his film. The streets and ancient architecture of Matera have helped to create the authentic atmosphere for the movie.

Another title that made Basilicata famous is “Christ stopped at Eboli” (1979), directed by Francesco Rosi. The film tells the story of Levi, a doctor and anti-fascist writer, exiled in Basilicata during the Fascist regime. Moreover, the film shows the rural landscapes and the life of the locals, offering a striking look at the region.

In recent years, Basilicata has become an increasingly popular destination for major film productions. The famous James Bond movie “Quantum of Solace” (2008) includes scenes shot in the city of Craco, an old abandoned village, offering an evocative setting. Another example is Montedoro, movie set in the homonymous ghost village in Basilicata.

The region has also attracted contemporary Italian filmmakers. “Basilicata Coast to Coast” (2010), directed by Rocco Papaleo, is a comedy that follows the adventures of a musical band. Crossing the region, showing the breathtaking landscapes and local traditions. Addittionally, Basilicata was chosen as the location for the famous American television series “The Young Pope” (2016). Created by the famous Italian director, Paolo Sorrentino and played by Jude Law. The city of Matera was used as a backdrop to represent the Vatican and other emblematic places in the series.

This beautiful region keeps its strong connection with the world of cinema, thanks to its fascinating locations and its unique environment. As a result, Basilicata continues to be chosen by Italian and international directors for its natural and historical beauty. Thus helping to promote its culture and attract tourists interested in cinema.

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